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“Daft Punk were deadpan people trying to be techno… It was too gimmicky”: Why John Lydon turned down a collab with the robots
Back in his heyday, you could argue John Lydon was a bit of a daft punk. But don’t get your wires twisted. While the ex-Sex Pistols frontman was happy to wreak havoc onstage, he’s recently revealed he turned down a chance to work with the actual Daft Punk. In a new chat with NME, Lydon has revealed that he had the opportunity to work with the duo – but says it didn’t feel right. “Daft Punk wanted to work with me a while back, but I didn’t feel the vibe,” he explains. “I felt it was too much of a ‘studio’ thing and gimmicky.” ... The post “Daft Punk were deadpan people trying to be techno… It was too gimmicky”: Why John Lydon turned down a collab with the robots appeared first on MusicTech. View the full article -
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Save $19,000 on this completely restored Yamaha CS-60 – but you’ll still need deep pockets
Would you like to be the proud owner of a Yamaha CS-60? There’s one currently up for sale on Reverb, and it’s had over $19,000 slashed off its asking price. You’ll still need deep pockets, though, as its discounted price is still $35,000… The CS-60 was first released in 1977 as a smaller version of Yamaha’s CS-80 synth, and has been used by artists such as Air, Gary Numan, Stevie Wonder, and more. This particular model is described as being in excellent condition... The post Save $19,000 on this completely restored Yamaha CS-60 – but you’ll still need deep pockets appeared first on MusicTech. View the full article- yamaha
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Production tips: Exploring digital distortion and mimicking retro samplers
Hardware samplers of the mid-80s and 90s are utterly outclassed by modern software samplers, but there are still producers who use them religiously. Workflow is a factor, but this feeds into a more fundamental attraction: The sound. Limited bit depths, downsampling to save memory, comparatively crude processing algorithms and relatively unsophisticated analogue input and output electronics combine to give classic samplers a distinct — and often genre-defining — sonic character. Fundamentally, this is just a blended sauce of different distortion flavours... The post Production tips: Exploring digital distortion and mimicking retro samplers appeared first on MusicTech. View the full article -
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Why you should “bail on bad ideas instead of pumping them through $20,000 of outboard gear”, according to FINNEAS
Before a song can shine in production, it has to stand strong on its own – such is the philosophy FINNEAS swears by as he balances his roles as a songwriter and producer. The 27-year-old Grammy-winning producer, best known for his work with his sister Billie Eilish, released his self-produced sophomore album, For Cryin’ Out Loud! last October. Discussing his creative approach in a new Tape Op interview, FINNEAS shares a conversation he recently had with St. Vincent, who, too, produced her latest album All Born Screaming... The post Why you should “bail on bad ideas instead of pumping them through $20,000 of outboard gear”, according to FINNEAS appeared first on MusicTech. View the full article
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